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FIRE
SPELLS:
ERUPTION
OF CHAOS
(LEVEL
VIII) |
This spell is a good example
of the destructive capabilities of fire magic.
The fire qualities of the targeted
object are augmented that much that it causes the object to explode violently.
A very powerful spell, managing to destroy objects instantly.
Spell Effect. By
adding
fire
ounia to an object, the object is destabilized that much it eventually explodes.
This spell is a very dangerous one to cast. If a mage adds to much ounia or if
he isn’t concentrated enough on what he’s doing, the object can explode earlier
than expected. There have been several accidents with this spell, some of them
even lethal.
It is told that the spell originates from the Third Sarvonian War, where some
armies had orcish battle clerics that used a
similar spell to this one. Boulders, pieces of shrapnel or logs of wood were
hurled into at the enemies’ troops, exploding right after or right before they
landed. They were mostly used to cause chaos and to break the ranks right before
the orcs themselves crashed into the enemy.
Ximaxian mages copied the spell and used it
later, at the end of the Troll War, to seal off the tunnels under the under the
Tandalas in the hope to prevent
the orcs from reappearing from there. Now the
spell is mostly used for big mining projects.
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Casting Procedure.
There are two different things that have to be done at the same time in order to
successfully cast the spell Eruption of Chaos. The extra
fire ounia increase the chaos present in
the cár’áll, up to a point where the
cár’áll doesn’t stabilizes itself
gradually any more. The sudden change is so violent that the object can no
longer hold itself together and blows apart.
Since there are going to be a lot of fire
ounia added to effectively charge the object, this can not happen instantly.
Therefore it’s necessary that the mage concentrates on lowering the strength of
the fire ounia in the targeted object
during the spell. He has to simultaneously add more
fire ounia to the
cár’áll and lower the their strength
equally to what has been added. This way the object's
cár’áll remains stable during the
casting process. Once the mage thinks he has added enough
fire ounia there are two things he can
do to discharge the object. First of all he can simply stop with keeping the
object's cár’áll stable. This will
have the advantage that the mage has a couple of blinks to look for cover or to
run away before the target blows up. The explosion will be somewhat less
powerful however. If a more powerful explosion is wanted the mage can, instead
of just stopping with keeping the cár’áll
stable, use his will to heighten the strength of the
fire ounia. This is highly dangerous
however, as the explosion will happen immediately and will be more powerful.
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Magical Formula.
Not defined yet.
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Target. Any target can
be used, except living beings, which have a much more complex
cár’áll structure, so that they
cannot be that easily manipulated. However, looking at thesolid objects, targets
that "break" instead of "bend" and targets that aren’t flammable are less
difficult to use. Stone is a very good example of those objects where it’s
easier to cast the spell on. With stone the strength of the
fire ounia doesn’t have to be kept down
that much while adding the ounia. It is, however, highly recommended that the
mage does this anyway, as it will not only give a stronger explosion, but the
cár’áll of stone will be more stable
during the casting process and thus there is less chance on an uncontrolled
explosion. With metal or wood it is much more difficult to achieve the spell. If
the strength of the fire oonia isn’t
kept down enough, the metal will melt or the wood will start burning while the
fire ounia are added.
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Reagents. Blood
(preferably orcish) can be used to either
have more control over the spell or to strengthen it. If the object is
(partially) coated with dried blood, this will lower the strength of the
explosion a little, but it will give a longer time before the detonation. If
fresh blood (or blood that has been kept liquid) is used, it will add to the
chaos of the objects cár’álll, making
it less stable. It will give a stronger explosion, but the spell will also
become more dangerous.
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Magical School.
Elemental Magic, Fire School.
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Spell Class.
Sphere III.
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Range. To keep strength
of the
fire ounia low or to strengthen them
when the object is discharged, the mage can stand at a rather high distance.
Even when the spell is first taught, the mage can easily stand at 5
peds without much
trouble. Even 10 peds or
more isn’t too exceptional for this part of the spell. This distance is highly
needed to prevent the mage from getting hurt when the object explodes.
It’s the charging of the spell that’s the most dangerous. Here the mage has to
stand real close to the object, preferably touching it. If anything goes wrong
at this point, it isn’t too unlikely the mage will get hurt badly or even be
killed by the exploding object.
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Casting Time. It
takes some time to charge the object. The bigger the object, the larger the
charging time will be. Small objects (like a stone about the size of a fist) can
be charged in several blinks, but large boulders will take a very long time.
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Duration. Once the
object is charged, the mage can keep it unchanged for as long as he wants. Just
keeping down the strength of the fire
ounia shouldn’t be too much of a challenge at this level. Once the mage chooses
to detonate the object, the time before the explosion may vary from instantly up
to about half a minute, mostly depending on what the mage wants to achieve.
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Counter Measures/Enhancing Measures.
As a simple sphere I technique is used to keep the object stable, even lower
level mages can perform this task. This is mostly useful when multiple mages
cast the spell. A lower level mage can then concentrate on lowering the strength
of
fire
ounia. Usually the lower level mages are at least level 4, to make sure they
have mastered the sphere I techniques they need. That way a higher level mage
can concentrate on adding the ounia and the more ounia can be added the stronger
explosions can be created.
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Information
provided by
Marvin Cerambit
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